Visual Arts and Film Studies Tests. Changes in exhibition from the Assignment

Visual Arts and Film Studies Tests. Changes in exhibition from the early 1900s through the 1940s - Assignment Example Moreover, cinema of attraction is based on shock, spectacle, and sensation. According to Gunning, cinema of attraction greatly differs with the contemporary narrative cinema that solicits a voyeuristic spectatorial gaze. It is an early exhibition where the spectators become overtly acknowledged, and invited to look. What is the PCA? In order to regulate morality and politics within films, the PCA (Production Code Administration), patrolled major issues that came about in the movies, moral barricades and the politics involved in movie productions. The government decided that wartime movies were very delicate to be left to the moviemakers thus the PCA, the Office of War Information, policing morality, and guarding politics made sure that the American screen was tightly regulated like no any other time in history. The PCA and its associated groups worked towards improvement in the film content in outright falsifications in others and evasions. What is a â€Å"star vehicle†? A ‘star vehicle refers to a movie, television show, or a play fabricated mainly to enhance a star’s career. The main aim of a star vehicle revolves around promoting a performer with the anticipation of inducting a bankable star. For instance, a bankable star compels the spectators to watch either the television show, play or even the film since he/she is featured in the project. Any successful star vehicle portrays unique talents exhibited y the star being promoted. In addition, a star vehicle can be created to showcase a star shifting from one genre to another. In a star vehicle, the young or inexperienced actor signs a long-term contract with a major studio. However, in some cases, the actor may produce for himself or herself a vehicle thus resulting to a form of self-promotion (Lewis, 2002). d. What does Jane Feuer mean when she refers to the â€Å"dual diegesis† of the backstage musical? Modernist cinema in association wi th Hollywood musical, use dual in the world of films in order to reflect the relationship of the spectator to the film. Dual diegesis in this sense parallels the use of internal audience. In other cases, dual diegesis calls attention to the discrepancy between reality and fiction, or history and fiction. According to Jane, Hollywood musicals are built upon a base of dual registers with the contrast between number and narrative defining musical comedy as a form. In the backstage, musical dual levels are apparent in contrast between the show or film and the backstage plot within the film, between the world offstage and world onstage. e. How was the production of Casablanca affected by U.S. entry into World War II? Scholarly research depicts that one of the main argument was that the government collaborated with the Hollywood industry to use film as propaganda during the Second World War. Due to the stigma that surrounded Hollywood in the early 20’s, directors and actors were co nvicted of outrage that led to public accusation of immorality within the film industry. Moreover, the government worked directly with Hollywood by using its films as a powerful tool to enhance the war. It was during t5his period that Casablanca was greatly affected. These films displayed anti-Japanese propaganda, grim images, and the sacrifices made by the American soldiers. Even after the war, the films continued to portray skewed sights of the war with glorifying efforts made by the soldiers to show the sacrifices they made were quite worthwhile. 2. What changes in exhibition took place